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So Long Solemn

by Bouche

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  • Streaming + Download

    Includes unlimited streaming via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    Purchasable with gift card

      £7 GBP

     

  • Compact Disc (CD) + Digital Album

    Includes lyric booklet and some pretty elaborate artwork. The costume Rebekah is wearing was designed and produced by Carrie Watkins. It was then hand painted by Rosie Reed Gold, who also took all the photographs. Oh, and Rosie also hand painted the art that appears on the CD itself. Rebekah constructed the shrine on the reverse of the album sleeve, which Rosie photographed, and then Diana Jarvis used all of the above in the design of the case and lyric booklet.

    Includes unlimited streaming of So Long Solemn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £10 GBP or more 

     

  • Record/Vinyl + Digital Album

    The album is (unintentionally) 1 hour, 1 minute and 1 second long, so it had to be pressed onto not one, but two pieces of vinyl*. All of the lyrics are printed onto the sleeve, as well as a whole bunch of elaborate artwork: the costume Rebekah is wearing was designed and produced by Carrie Watkins. It was then hand painted by Rosie Reed Gold, who also took all the photographs. Oh, and Rosie also hand painted the art that appears on the vinyl labels. Rebekah constructed the shrine on the reverse of the album sleeve, which Rosie photographed, and then Diana Jarvis used all of the above in the design of the whole thing.

    *Hence the high postage. It's heavy!

    Includes unlimited streaming of So Long Solemn via the free Bandcamp app, plus high-quality download in MP3, FLAC and more.
    ships out within 3 days
    Purchasable with gift card

      £20 GBP or more 

     

1.
I could stare at your face for a lifetime, and learn who the enemy is. I would not ask the same of you, but you can if you want to. The future draws close like the air in a thunderstorm The hands keep on spinning but you cannot hold them Memories crumble, and turn into dust and dive into your bloodstream, and clog up your arteries… …Don’t for a minute forget where you came from The whites of your eyes are the snow on the mountaintops - Don’t lie to yourself! You were made in a factory - Oh I’ve never seen such a tortuous shade of green - Don’t climb to the top, there’ll be nothing to hold you… - Your skin on my skin is compelling me forward Don’t fall! Don’t fall… …in love I tried to write you a reason for leaving, to slip into your cold palm, I could not finish your beautiful name, As I searched for the words you slipped out from the crowd and were gone.
2.
It was late in the day It was late in the day And everybody makes mistakes, I still did a bad thing I had too much to drink I was so high I could not think And the moon was winking his shimmering shink, I did a bad thing And the dogs were howling the Je m’accuse blues Stumbling home I kept on losing my shoes I ain’t got no excuse; mea maxima culpa I had nowhere to go I had nowhere to go And nobody could know I did a bad thing And the dogs were howling… I got lost down a dark backstreet Found a doorway, crawled in, curled up and fell asleep To be awoken by the smell of a man and the sound of his booted feet I ran and ran til I could not breathe And the dogs were howling…
3.
The Storm 06:18
It started in a teacup (as storms are wont to do) Flew out around the house, and as it moved it grew, feeding on shame and the things you’d have to change to be the same as everyone, the same as anyone This happened once before in a house that was too small. When last I passed it by I stole a look over the wall, and now wild flowers line the drive (but they too will die in time) and the cracks across the glass remind us of how hard we tried to be a family; believing ever after could end happily But now the house stands empty and the dream has left me and I could concede to be angry but I don’t want to lose more love. No I don’t want to lose more love. There’s thunderbolts and lightning now just as far as you can see. Shoot your bullets to the sky but don’t you point that thing at me, I’m not the woman who you lost or the money that it costs to be the same as everyone, the same as anyone There’s a light beneath my skin - it was not you who stitched it in, but - you saw me coming long before I saw your shaking pen as you wrote down the name: Ancient Tree, Sacred Chain It’s just a name. Like everyone. The same as anyone so don’t tie it to your wrist, or tattoo it on your fist; you can’t possess all that you say, or make it true by power of faith. Just like water touching water, just like rain on a lake, I don’t want a kneeling man.
4.
The first time I tried, think I made someone cry picking apples on the way home from school. We all lied to be cool, but that was just cruel. Still, it makes more sense to me now. And the secret we kept - from that day when we wept throughout the night, so sorry for ourselves - it hangs round my neck, so I can’t forget. At least it makes more sense to me now. I was taught to be good by The Book and The Wood, I believe that there’s right and there’s wrong. Still, I long for a life where I laugh before I cry, can you find that by singing a song? Oh, just to know there isn’t much further to go. Now the house is all empty, the troubles are plenty, my friends are all out in the sun. They tell me ‘You’ve become but a memory…’ sounds to me like ‘Run!’ Leaving’s all I know how to do now.
5.
Old Man London breathing down my neck Old Man London never pays his check Living in this city ain’t no living at all My back got broke and my heart went ugly small I hear piano when there ain’t no piano Hear somebody singing when there ain’t no song And I know I’ve been living in this city too long My soul got eat up and my mind went crazy wrong Old Man London, spitting in The River, leaking stinking water into every street I take my whiskey neat and my coffee dark and think - don’t nobody drink the water, it’s gonna make you awful sick Old Man London breathing down my neck Old Man London never pays his check Living in this city ain’t no living at all My back got broke and my heart went ugly small No, living in this city, it ain’t no living at all
6.
You are golden You are holy and your miracle eyes, turn the tarnished inside holy white like the hue of my love - You give just enough. A stone’s throw; a stone so heavy I can’t take it home, so leave it where it lies and lie and listen to the rain all night, with open eyes In the morning we’ll take it to a place where no-one knows, pick aralia and rose to weave a wreath around its head to kill it dead before it grows. Come on down from the mountain and know you’re wrong; so long solemn can’t change you so pick up your stone - the face that you gave it was so like your own… Oh no! No-one can tell us no nothing, so leave us alone! And at night we run rings around our right and reverent friends Our broken hearts that don’tcare mends, our open arms that lust - and burn with carelessly danced cigarette ends. But in the morning such childish contrivances are ink against the rain, your purist poem won’t remain your truest word is just a stain on a summer dress; on a bare and brave young breast; on a loveless bed; in a thoughtless head You were golden You were holy but your miracle eyes leave me hollow inside pride has swallowed the best of my love, you were golden you were holy but I will turn you to dust, from which you came and from which you were raised in the gaze of my love, darling, don’t be afraid of the dust, from which you were made like the rest of us.
7.
Outside your window I can see a single leaf atop a solitary tree Your parents never let us play piano on a Sunday Outside your window I can see an empty house, a shrinking patch of stricken street I wish that you were closer to me The valley is a sinking wreck, the town hides down beneath its dank decaying deck No fire above, no lamps below for the bullying hills said so It was for love we left I know And love that took us where we did not wish to go And love that led you to the door And love that let us down once more Build high the cards! Cast out the line! Our luck will change - just give it time. What monstrous beasts did bring you here? And beasts be they that though you plead they do not hear. But, if to you these beasts they be, then we are too, as such, you see Unfaithful daughters all are we! to call by name what you can’t see The danger of this kind of love, it holds too tight to let in light, and life, it starts to fray around the edge a single thread pulled right until there’s nothing left. You may feel safe inside a cage, but there’s nothing here to eat my dear. Let fall the cards…let go the line, you lost you hope, I’ll bury mine.
8.
Yankel 04:59
Too many sunsets lost waiting for you to come home it’s not beautiful when you’re alone and wondering why Too many too long nights asking the same old thing over again to just to hear the same old lie They say that love is blind, but I can see you losing sight of me Well I’m not sad to say goodbye, I’m not going to sit and cry my mamma always told me, ‘Whatever will be will be…’ And I’m not going to dream of you, to see other lovers together and rue the day you said that you were leaving me I have already forgotten the colour of your eyes the way it felt each time your kisses caught me by surprise I do not remember how it sounds when you call my name all those fights I swore you started, well, who knows now who’s to blame And I forget where I left that letter you sent, that said you’d love me til you die well I’m not sad at all. No I’m not sad at all I’m not sad at all, to say goodbye.
9.
Into the Sea 07:26
Well, I can’t keep wandering around with a bloodhound at my heels… I wonder how it feels, to kill a dog I left the house again last night without my clothes on and I forgot to tell the doctor I was doing well; tell the nurse that she could stop drugging my tea and although there are a millions songs when someone sings I hear but one: I see no reason not to walk into the sea I thought I saw a rope keeping me from the wall and a black whole as the night every star looks just as bright - from far away I saw a thousand stairs ceaselessly spiralling they led to the foot of the bed where the two of you with me lay laughing dreaming, sleeplessly the world beneath our feet as when every night we’d see the moonlight strike the silent sea in a coastal town in Italy and I knew that all we three could walk on water if we pleased and I’ll live to see a million suns if in each one I hear that song I see no reason now to walk into the sea

about

Bouche's debut studio album released in April 2016

"I was simply washed away by the delivery and wonderful textures. Slowed to a hesitant slow-step, these jazz-inflected bluesy ballads moved at glacial but magnificent pace...This is a comparative rarity; a pure and direct artistic vision, carried out without compromise."
Ross McGibbon, Vanguard Online

"It's weird the effect this album has - one hearing, it might plain refuse to "take", in which case it'll be likely to bore you rigid with its unhurried pacing and unashamed longueurs. But then on the next hearing it'll grab you from the opening note, then cast its spell and then NEVER LET GO."
David Kidman, Fatea

credits

released April 15, 2016

All songs written by Rebekah Bouche
Rebekah Bouche: double bass and vocals on all tracks
Joe Sharp: trumpet (tracks 2, 3, 5, 6, 8 & 9), flugelhorn (track 4), piccolo trumpet (track 3), cornet (track 7) and backing vocals (track 4)
Greg Sanders: electric guitar (all tracks except 1 & 8)
Alastair Caplin: backing vocals (track 4)
Recorded at:
Plan des Granges, Bagnols-en-Forêt, engineered by Matthew Oliver James Organ (all tracks except 5)
DADA studios, London, engineered by George Botis (tracks 1 - 7)
No. 14 Bacon Street, London, engineered by Matthew James Oliver Organ (tracks 2, 6 & 9) and Alastair Caplin (track 8)
Strings arranged, played and engineered by Alastair Caplin
Recorded at No. 14 Bacon Street, London.
(tracks 4, 8 & 9)
Mixed by Benedic Lamdin at The Fish Factory
Mastered by Helge Sten at Audio Virus Lab.
Cover costume design and production by Carrie Watkins, with script detailing by Rosie Reed Gold
Photography and onbody painting by Rosie Reed Gold
Design by Diana Jarvis

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Bouche London, UK

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